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out center tags;
Il gruppo statuario dell'Incredulità di san Tommaso di Andrea del Verrocchio fa parte del ciclo delle quattordici statue dei protettori delle Arti di Firenze nelle nicchie esterne della chiesa di Orsanmichele. Fu commissionata dal Tribunale della Mercanzia e risale al 1466/67-1483. È in bronzo ed è alta 241 (il Cristo) e 203 cm (San Tommaso). È l'unica scultura del gruppo a non essere a tutto tondo: a parte le teste, si tratta infatti di un altorilievo cavo privo del lato posteriore. Oggi si trova conservata all'interno del Museo di Orsanmichele, mentre all'esterno è sostituita da una copia.
Christ and St. Thomas (1467–1483) is a bronze statue by Andrea del Verrocchio made for one of the 14 niches on the exterior walls of the Orsanmichele in Florence, Italy, where it is now replaced by a cast and the original moved inside the building, which is now a museum. It shows the Incredulity of Thomas, frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced (John 20:24–29). The surrounding marble niche was designed by Donatello for his St Louis of Toulouse (1413), but the statue was moved to Santa Croce when the niche was sold to the Tribunale di Mercanzia (merchant's guild), who commissioned the Verrochio work.
Die Statuengruppe des Ungläubigen Thomas (italienisch Incredulità di San Tommaso) von Andrea del Verrocchio ist Teil des Zyklus von vierzehn Statuen der Gilden und Zünfte von Florenz in den Nischen außerhalb der Kirche von Orsanmichele. Sie wurde vom Tribunale di Mercatanzia beauftragt und stammt aus den Jahren 1466/67–1483. Sie ist aus Bronze und 241 cm (Christus) und 203 cm (Heiliger Thomas) hoch und die einzige Skulptur in der Gruppe, die als Halbplastik ausgeführt ist. Abgesehen von den Köpfen ist es ein hohles Hochrelief ohne Rückseite. Heute befindet sie sich im Museum von Orsanmichele, während sie draußen durch eine Kopie ersetzt wurde. Aufgrund ihrer Beschaffenheit ist sie die einzige im Museum, die in einer Nische steht.
Cristo y Santo Tomás (1467–1483) es una escultura de bronce que Andrea del Verrocchio hizo para uno de los 14 nichos en las paredes exteriores de la Iglesia de Orsanmichele en Florencia, Italia, donde ahora se le ha sustituido por una copia y el original trasladado dentro del edificio, que actualmente es un museo. La escultura muestra el episodio conocido como la Incredulidad de Tomás o también la Duda de Tomás, que ha sido frecuentemente representado en el arte cristiano desde al menos el siglo V, y se ha utilizado para elaborar diversos significados teológicos. Tomás el Apóstol dudaba de la resurrección de Jesús y tuvo que tocar sus llagas para convencerse Juan 20:24-29. El nicho de mármol circundante fue diseñado por Donatello para su San Luis de Tolosa (1413), pero la estatua fue trasladada a laBasílica de la Santa Cruz cuándo el nicho fue vendido al Tribunale di Mercanzia (el gremio de los comerciantes), quién encargó la obra a Verrochio.
no matches found
| statue (Q179700) | artwork_type=statue, memorial=statue |
| cultural heritage (Q210272) | heritage, protect_class=22, historic=heritage |
| product (Q2424752) | product |
| work of art (Q838948) | tourism=artwork |
| sculpture (Q860861) | artwork:type=sculpture, artwork_type=sculpture |